Sometimes, I have to pinch myself and give a good think to whether I've really got this in the works. Susan Harvey (now would be the time to learn how to insert the link to her blog!!) is not only an amazing weaver, but a very kind woman, and sent me a gazillion photos of her Gertrude (Emmatrude) to admire until that day arrives that I get to tie up my own 640 texsolve cords. If I can produce half the quality that Susan produces on her Woolhouse, I willl be a happy girl!
So until then, I still have plenty of work to accomplish with my Baby Wolf and this fabulous table loom. This is the first time that I've actually put all 12 of the harnesses to work. Because I enjoyed the process of weaving an 8H gebrochene a few months ago, I picked a 12 harness version from Handweaving.net. I actually did a lot of UNweaving, along with the weaving; but it kind of matched a funk that I've been in, so not a big deal to go backward and forward like that.
You can see one of the errors in the photo on the left....I have to admit that on one occasion, I unwove about 4 inches to get to an error like this, only to realize that there was yet another one about 3 inches prior to that. So unweave I did, because I can't just cut silk and throw it away. I had to adjust my process to take more time when moving the temple and using the drawdown rather than a handwritten progression to keep the pattern more in focus as I worked through the treadling. That made the difference and avoided additional errors.
I love weaving with the table loom because it slows everything down to a place where the structure of the weaving is allowed to sink in on a practical, hands-on level. John developed this wonderful gadget (called a 'Which One') that allows you to have a physical guide for each 'treadling' of your progression. The white clips correspond to which harness needs to be raised, and each column aligns with the levers for the harnesses. I'm not sure I would enjoy weaving on a table loom as much without this aid. Rather than move the little bars as I progress (the peg in the middle of the bar allows you to lift it out of thte opening at the bottom of the tower and slip it back in at the top), I just label each and use them as a visual guide. In many patterns, there are reversals that make the moving of the bars more of a hassle than a help, so I find to just have the guide in front of me works quite well.
Another advantage of the table loom is the amount of waste that can be avoided, particularly with a fiber that is especially costly and painful to waste. At $60-ish per half pound cone, I hate to waste silk. This silk is 20/2, which I wanted to use to get acquainted with weaving with silk. What a treat to work with, and I now look forward to moving on to the finer gauge. I think the biggest challenge with moving on to a smaller grist is having enough heddles....so more heddles may be in order before I can move on to 60/2 and finer.
This gebrochene is # 55861 in the Handweaving.net library. It was sett at 28 epi with 20/2 silk, woven at 28 ppi. At 61 ends per pattern repeat, and 7 repeats, I ended up with a stole of about 15" width, woven to 72", excluding the 5" fringes on each end. It was hemstitched at 12 ends per section, divided into and twisted as three four-end plys. The center section was beaded prior to twisting; and I'm quite happy with the end result.
Next up on the Baby Wolf is a run of overshot runners. I'm trying back-to-front warping for a change, so all sorts of adventure is happening with that. I'll share photos for a 'later in October' post....
I thank you for visiting and sharing my weaving space with me!! Happy and healthy weaving to you all!
...until next time.....
Linda
Well this was certainly worth waiting for. What a fantastic, gorgeous project!! WOW is too mild a word for it. I am especially impressed with your patience in doing this on the table loom. Although you say you actually enjoy doing it on there, I find it must be just soooo slow work and so complicated with such a complicated draft that I am amazed it is do-able! No wonder you made a mistake, and honestly, actually UNweaving that much in such a complicated manner is simply beyond me! I have been staring hard at the photo that is supposed to show the error (playing at "find five faults" - I wonder if that is what they call it in English?)and must admit I failed, never spotted it! But I am sure if I had found an error in a fine silk wonder like that I would have wanted it corrected. Perfection all the way through is called for, - and achieved. And what a stunning, red, shiny, luxurious silk, too.
ReplyDeleteI really look forward to the time when your "Gertrude" moves in, - mainly because you deserve the hight of weaving happiness, but also - selfishly - so I can see what amazing things you'll bring forth on 16 shafts!! Not to mention the drawloom possibilities.
I wish you happy weaving on your table runners.
Love,
Ellen
Hi Linda - nice to see your blog come to life with this story. It is an amazing project ! I can sympathise with the unweaving, I would have had to do the same ! Your eye would have been drawn to it all the time and how good you would feel once it was fixed and how careful you would be afterwards !!
ReplyDeleteGreat patience to do that on a table loom but I can see the gadget helps a bit. When you get 'the big one' you will rattle these off no bother !!
Well done, great work
Dorothy
Wonderful work, as always! I admire your patience Linda. I also hate to waste any type of yarn, but it's so annoying to unweave! I also agree with Ellen, I couldn't find the mistake you were talking about! :)
ReplyDeleteBeautiful work, Linda! I enjoyed reading about your table loom since I just had an interesting conversation with a weaver friend who worked many years ago as a sample weaver for Dan River, the textile manufacturer. She wove superfine samples on a table loom and said it was slow but it worked well. But I'm sure when you get your new loom the joy of weaving will be even greater!
ReplyDeleteEva
Hey Linda...
ReplyDeleteTime to start blogging again.... you have people waiting (me)
Did you buy the table loom directly from John or from another weaver? I sold a 12 shaft Carolyn to a weaver in Oregon and she subsequently sold it to a weaver the north east USA. Wondering if that was you? If so, give my old loom a pat for me!
Lovely gebrochene .... stunning!
Susan ( ease up on the cudos okay or I'll never get a hat on! :)